Understanding Zohran Mamdani's Sartorial Choice: The Garment He Wears Reveals About Contemporary Masculinity and a Changing Society.
Growing up in London during the noughties, I was always surrounded by suits. They adorned City financiers hurrying through the Square Mile. You could spot them on fathers in Hyde Park, playing with footballs in the golden light. Even school, a cheap grey suit was our required uniform. Historically, the suit has served as a costume of gravitas, projecting power and performance—qualities I was expected to embrace to become a "adult". Yet, before lately, people my age appeared to wear them infrequently, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony wearing a subdued black overcoat, pristine white shirt, and a notable silk tie. Riding high by an innovative campaign, he captured the world's imagination like no other recent contender for city hall. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing remained mostly constant: he was almost always in a suit. Relaxed in fit, contemporary with unstructured lines, yet conventional, his is a quintessentially middle-class millennial suit—that is, as typical as it can be for a generation that rarely chooses to wear one.
"This garment is in this weird position," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the most formal locations: marriages, funerals, and sometimes, court appearances," Guy states. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long ceded from everyday use." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have authority.'" But while the suit has historically signaled this, today it enacts authority in the attempt of gaining public confidence. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it performs manliness, authority and even proximity to power.
This analysis stayed with me. On the infrequent times I need a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Japanese department store a few years ago. When I first picked it up, it made me feel sophisticated and expensive, but its tailored fit now feels outdated. I suspect this sensation will be all too familiar for many of us in the global community whose families originate in somewhere else, particularly developing countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Consider the present: looser-fitting suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. But the appeal, at least in some quarters, endures: in the past year, department stores report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something special."
The Symbolism of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a European label that sells in a mid-market price bracket. "He is precisely a reflection of his upbringing," says Guy. "A relatively young person, he's not poor but not extremely wealthy." Therefore, his mid-level suit will appeal to the group most inclined to support him: people in their thirties and forties, university-educated earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly align with his stated policies—which include a rent freeze, constructing affordable homes, and fare-free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and was raised in that New York real-estate world. A status symbol fits naturally with that elite, just as attainable brands fit naturally with Mamdani's constituency."
The history of suits in politics is extensive and rich: from a former president's "shocking" tan suit to other world leaders and their suspiciously polished, tailored appearance. As one British politician discovered, the suit doesn't just dress the politician; it has the power to characterize them.
The Act of Normality and A Shield
Maybe the point is what one academic refers to the "performance of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a deliberate understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him appeal to as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; historians have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might doubt it.
Such sartorial "code-switching" is not a new phenomenon. Indeed historical leaders once wore formal Western attire during their early years. Currently, certain world leaders have begun swapping their usual military wear for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's public persona, the tension between belonging and otherness is visible."
The suit Mamdani chooses is highly significant. "Being the son of immigrants of South Asian heritage and a democratic socialist, he is under scrutiny to meet what many American voters look for as a marker of leadership," says one expert, while simultaneously needing to walk a tightrope by "avoiding the appearance of an elitist selling out his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to suit-wearers and what is interpreted from it. "That may come in part from Mamdani being a millennial, able to adopt different personas to fit the situation, but it may also be part of his multicultural background, where adapting between languages, traditions and clothing styles is common," commentators note. "Some individuals can remain unnoticed," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully negotiate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in public life, image is never without meaning.